Описание
Grapes And The Wind | Pablo Neruda | Spuyten Duyvil, 2018 | Английский язык
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Описание
Печатная книга «Grapes And The Wind» в мягкой обложке, язык - английский. В книге 376 страниц, она напечатана на белой офсетной бумаге плотностью 80 г/м². Формат издания - 152x229 мм. Все книги аккуратно упаковываем в прочный трехслойный сейф-пакет.
Like the landscape of his native Chile, Nerudas poetry encompasses great extremespeak and prairie, deluge and droughtall connected by a spine of unbreakable certainty. Those of us who lack the language in which Neruda traversed this demanding terrain will find in Michael Straus a sure-footed and resourceful guide. Attentive alike to the humble and the historic, Nerudas work, in this fine version, retains all its power to move, to hold, to shock and to inspire.
Grahame Davies
Poems of travel the ultimate Neruda is found within, blown from country to country: I went singing / wandering As if to wander is to sing, and the poetry this poet effected is in sum an ode to flux. Why not? The Po River sings to him. Why should he not sing in return? Bread and blood sing to him too: politics and daily life. Michael Straus translations of these poems bring to light Nerudas identity as an ego obscured in the surrealism of plants, places, and people. Straus has found English that synchs with Nerudas desire. Prepare yourself / for peace With Straus help, we can.
Vincent Katz
Thanks to this translation of Nerudas Las Uvas y el Viento, we English readers have been given a gift, this long song from a poet who loved our blue planet. This is his ode to its brilliant shimmer, foibled as it is. In his Whitman-esque way, this is a different exploration than Nerudas renowned love poems, as he takes us to each vineyard, steel mill, or sleeping city, in an almost reckless way. And with this offering our understanding of the poets span of perspective, including those of his politics, is deepened, as existentially expressed in its epilogue of Yo he visto: he has seen, heard and given it back to us.
Sophie Cabot Black
Like the landscape of his native Chile, Nerudas poetry encompasses great extremespeak and prairie, deluge and droughtall connected by a spine of unbreakable certainty. Those of us who lack the language in which Neruda traversed this demanding terrain will find in Michael Straus a sure-footed and resourceful guide. Attentive alike to the humble and the historic, Nerudas work, in this fine version, retains all its power to move, to hold, to shock and to inspire.
Grahame Davies
Poems of travel the ultimate Neruda is found within, blown from country to country: I went singing / wandering As if to wander is to sing, and the poetry this poet effected is in sum an ode to flux. Why not? The Po River sings to him. Why should he not sing in return? Bread and blood sing to him too: politics and daily life. Michael Straus translations of these poems bring to light Nerudas identity as an ego obscured in the surrealism of plants, places, and people. Straus has found English that synchs with Nerudas desire. Prepare yourself / for peace With Straus help, we can.
Vincent Katz
Thanks to this translation of Nerudas Las Uvas y el Viento, we English readers have been given a gift, this long song from a poet who loved our blue planet. This is his ode to its brilliant shimmer, foibled as it is. In his Whitman-esque way, this is a different exploration than Nerudas renowned love poems, as he takes us to each vineyard, steel mill, or sleeping city, in an almost reckless way. And with this offering our understanding of the poets span of perspective, including those of his politics, is deepened, as existentially expressed in its epilogue of Yo he visto: he has seen, heard and given it back to us.
Sophie Cabot Black
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